B. Despair Viewed Under the Aspect of Consciousness.
With every increase in the degree of consciousness, and in proportion
to that increase, the intensity of despair increases: the more
consciousness, the more intense the despair.
This is everywhere to be
seen, most clearly in the maximum and minimum of despair. The
devil’s despair is the most intense despair, for the devil is sheer spirit,
and therefore absolute consciousness and transparency; in the devil
there is no obscurity which might serve as a mitigating excuse, his
despair is therefore absolute defiance. This is the maximum of despair.
The minimum of despair is a state which (as one might humanly be
tempted to express it) by reason of a sort of innocence does not even
know that there is such a thing as despair. So when consciousness is at
its minimum the despair is least; it is almost as if it were a dialectical
problem whether one is justified in calling such a state despair.
(a).
The Despair which is Unconscious that it is Despair, or the
Despairing Unconsciousness of having a Self and an Eternal Self.
That this condition is nevertheless despair and is rightly so
denominated may be taken as an expression for a trait which we may
call, in a good sense, the opinionativeness of truth.
Veritas est index sui et falsi.
But this opinionativeness of truth is, to be sure, held in
scant honor, as also it is far from being the case that men in general
regard relationship to the truth, the fact of standing in relationship to
the truth, as the highest good, and it is very far from being the case
that they, Socratically, regard being under a delusion as the greatest
misfortune; their sensuous nature is generally predominant over their
intellectuality.
So when a man is supposed to be happy, he imagines
that he is happy (whereas viewed in the light of the truth he is
unhappy), and in this case he is generally very far from wishing to be
torn away from that delusion. On the contrary, he becomes furious, he
regards the man who does this as his most spiteful enemy, he considers
it an insult, something near to murder, in the sense that one speaks of
killing joy. What is the reason of this?
The reason is that the sensuous
nature and the psycho-sensuous completely dominate him; the reason
is that he lives in the sensuous categories agreeable/disagreeable, and
says goodbye to truth etc.; the reason is that he is too sensuous to
have the courage to venture to be spirit or to endure it.
However vain
and conceited men may be, they have nevertheless for the most part a
very lowly conception of themselves, that is to say, they have no
conception of being spirit, the absolute of all that a man can be -- but
vain and conceited they are . . . by way of comparison.
In case one were to think of a house, consisting of cellar, ground-floor and
premier étage, so tenanted, or rather so arranged, that it was planned for a
distinction of rank between the dwellers on the several floors; and in
case one were to make a comparison between such a house and what it
is to be a man -- then unfortunately this is the sorry and ludicrous
condition of the majority of men, that in their own house they prefer
to live in the cellar.
The soulish-bodily synthesis in every man is
planned with a view to being spirit, such is the building; but the man
prefers to dwell in the cellar, that is, in the determinants ofsensuousness.
And not only does he prefer to dwell in the cellar; no, heloves that to such a degree that he becomes furious if anyone would propose to him to occupy the bel étage which stands empty at his disposition -- for in fact he is dwelling in his own house.
No, to be in error or delusion is (quite un-Socratically) the thing they fear the least. One may behold amazing examples which illustrate this fact on a prodigious scale. A thinker erects an immense building, a system, a system which embraces the whole of existence and world- history etc. -- and if we contemplate his personal life, we discover to our astonishment this terrible and ludicrous fact, that he himself personally does not live in this immense high-vaulted palace, but in a barn alongside of it, or in a dog kennel, or at the most in the porter’s lodge.
If one were to take the liberty of calling his attention to this by a single word, he would be offended. For he has no fear of being under a delusion, if only he can get the system completed . . . by means of the delusion.
So then, the fact that the man in despair is unaware that his condition is despair, has nothing to do with the case, he is in despair all the same. If despair is bewilderment (Forvildelse), then the fact that one is unconscious of it is the additional aggravation of being at the same time under a delusion (Vildfarelse). Unconsciousness of despair is like unconsciousness of dread (cf. The Concept of Dreadby Vigilius Haufniensis): the dread characteristic of spiritlessness is recognizable precisely by the spiritless sense of security; but nevertheless dread is at the bottom of it, and when the enchantment of illusion is broken, when existence begins to totter, then too does despair manifest itself as that which was at the bottom.
The despairing man who is unconscious of being in despair is, in comparison with him who is conscious of it, merely a negative step further from the truth and from salvation. Despair itself is a negativity, unconsciousness of it is a new negativity. But to reach truth one must pierce through every negativity.
For here applies what the fairy-tale recounts about a certain enchantment: the piece of music must be played through backwards; otherwise the enchantment is not broken. However, it is only in one sense, in a purely dialectical sense, that he who is unconscious of despair is further away from truth and salvation than the man who is conscious of his despair and yet remains in it.
For in another sense, an ethical-dialectic sense, the despairing man who consciously remains in despair is further from salvation, since his despair is more intense. But unawareness is so far from removing despair, or of transforming despair into non-despair, that, on the contrary, it may be the most dangerous form of despair.
By unconsciousness the despairing man is in a way secured (but to his own destruction) against becoming aware -- that is, he is securely in the power of despair. In unconsciousness of being in despair a man is furthest from being conscious of himself as spirit. But precisely the thing of not being conscious of oneself as spirit is despair, which is spiritlessness -- whether the condition be that of complete deadness, a merely vegetative life, or a life of higher potency the secret of which is nevertheless despair. In the latter instance the man is like the sufferer from consumption: he feels well, considers himself in the best of health, seems perhaps to others to be in florid health, precisely when the sickness is most dangerous.
This form of despair (i.e. unconsciousness of it) is the commonest in the world -- yes, in what people call the world, or, to define it more exactly, what Christianity calls "the world," i.e. paganism, and the natural man in Christendom. Paganism as it historically was and is, and paganism within Christendom, is precisely this sort of despair, it is despair but does not know it.
It is true that a distinction is made also in paganism, as well as by the natural man, between being in despair and not being in despair; that is to say, people talk of despair as if only certain particular individuals were in despair. But this distinction is just as deceitful as that which paganism and the natural man make between love and self-love, as though all this love were not essentially self-love.
Further, however, than this deceitful distinction it was impossible for paganism, including the natural man, to go; for the specific character of despair is precisely this: it is unconscious of being despair. From this we can easily perceive that the aesthetic concept of spiritlessness by no means furnishes the scale for judging what is despair and what is not -- which moreover is a matter of course; for since it is unable to define what spirit truly is, how could the aesthetical make answer to a question which does not exist for it at all? It would also be a prodigious stupidity to deny that pagan nations en masse, as well as individual pagans, have performed amazing exploits which have prompted and will prompt the enthusiasm of poets; to deny that paganism exhibits examples of achievement which aesthetically cannot be sufficiently admired. It would also be foolish to deny that in paganism lives have been led which were rich in aesthetic enjoyment, and that the natural man can lead such a life, utilizing every advantage offered with the most perfect good taste, even letting 49 art and learning enhance, embellish, ennoble the enjoyment. No, it is not the aesthetic definition of spiritlessness which furnishes the scale for judging what is despair and what is not; the definition which must be used is the ethico-religious: either spirit/or the negative lack of spirit, spiritlessness. Every human existence which is not conscious of itself as spirit, or conscious of itself before God as spirit, every human existence which is not thus grounded transparently in God but obscurely reposes or terminates in some abstract universality (state, nation, etc.), or in obscurity about itself takes its faculties merely as active powers, without in a deeper sense being conscious whence it has them, which regards itself as an inexplicable something which is to be understood from without -- every such existence, whatever it accomplishes, though it be the most amazing exploit, whatever it explains, though it were the whole of existence, however intensely it enjoys life aesthetically -- every such existence is after all despair. It was this the old theologians meant when they talked about the virtues of the pagans being splendid vices. They meant that the most inward experience of the pagan was despair, that the pagan was not conscious of himself before God as spirit. Hence it came about (to cite here an example which has at the same time a deeper relation to the whole study) that the pagans judged self-slaughter so lightly, yea, even praised it, notwithstanding that for the spirit it is the most decisive sin, that to break out of existence in this way is rebellion against God. The pagan lacked the spirit’s definition of the self, therefore he expressed such a judgment of self-slaughter -- and this the same pagan did who condemned with moral severity theft, unchastity, etc. He lacked the point of view for regarding self-slaughter, he lacked the God- relationship and the self. From a purely pagan point of view self- slaughter is a thing indifferent, a thing every man may do if he likes, 50 because it concerns nobody else. If from a pagan point of view one were to warn against self-slaughter, it must be by a long detour, by showing that it was breach of duty toward one’s fellow-men. The point in self-slaughter, that it is a crime against God, entirely escapes the pagan. One cannot say, therefore, that the self-slaughter was despair, which would be a thoughtless hysteron proteron; one must say that the fact that the pagan judged self-slaughter as he did was despair. Nevertheless there is and remains a distinction, and a qualitative one, between paganism in the narrowest sense, and paganism within Christendom. The distinction (as Vigilius Haufniensis has pointed out in relation to dread) is this, that paganism, though to be sure it lacks spirit, is definitely oriented in the direction of spirit, whereas paganism within Christendom lacks spirit with a direction away from it, or by apostasy, and hence in the strictest sense is spiritlessness. (b). The Despair which is Conscious of being Despair, as also it is Conscious of being a Self wherein there is after all something Eternal, and then is either in despair at not willing to be itself, or in despair at willing to be itself. A distinction of course must be made as to whether he who is conscious of his despair has the true conception of what despair is. Thus a man may be right, according to the conception he has, in asserting that he is in despair, it may be true that he is in despair, and yet this is not to say that he has the true conception of despair, it may be that one who contemplated this man’s life in the light of the true conception would say, "You are far more in despair than you are aware, the despair lies far deeper." So with the pagan (to recall the foregoing instance), when in comparison with others he considered himself in 51 despair, he doubtless was right in thinking that he was in despair, but he was wrong in thinking that the others were not; that is to say, he had not the true conception of despair. So then, for conscious despair there is requisite on the one hand the true conception of what despair is. On the other hand, clearness is requisite about oneself -- in so far, that is to say, as clearness and despair are compatible. How far complete clarity about oneself, as to whether one is in despair, may be united with being in despair, where this knowledge and self-knowledge might not avail precisely to tear a man out of his despair, to make him so terrified about himself that he would cease to be in despair -- these questions we shall not decide here, we shall not even attempt to do so, since in the sequel we shall find a place for this whole investigation. But without pursuing the thought to this extremest point, we here merely call attention to the fact that, although the degree of consciousness as to what despair is may be very various, so also may be the degree of consciousness touching one’s own condition, the consciousness that it is despair. Real life is far too multifarious to be portrayed by merely exhibiting such abstract contrasts as that between a despair which is completely unconscious, and one which is completely conscious of being such. Most frequently, no doubt, the condition of the despairing man, though characterized by multiform nuances, is that of a half obscurity about his own condition. He himself knows well enough in a way up to a certain point that he is in despair, he notices it in himself, as one notices in oneself that one is going about with an illness as yet unpronounced, but he will not quite admit what illness it is. At one moment it has almost become clear to him that he is in despair; but then at another moment it appears to him after all as though his 52 indisposition might have another ground, as though it were the consequence of something external, something outside himself, and that if this were to be changed, he would not be in despair. Or perhaps by diversions, or in other ways, e.g., by work and busy occupations as means of distraction, he seeks by his own effort to preserve an obscurity about his condition, yet again in such a way that it does not become quite clear to him that he does it for this reason, that he does what he does in order to bring about obscurity. Or perhaps he even is conscious that he labors thus in order to sink the soul into obscurity, does this with a certain acuteness and shrew calculation, with psychological insight, but is not in a deeper sense clearly conscious of what he does, of how despairingly he labors etc. For in fact there is in all obscurity a dialectical interplay of knowledge and will, and in interpreting a man one may err, either by emphasizing knowledge merely, or merely the will. But, as was pointed out above, the degree of consciousness potentiates despair. In the same degree that a man has a truer conception of despair while still remaining in it, and in the same degree that he is more conscious of being in despair, in that same degree is his despair more intense. He who with the consciousness that suicide is despair, and to that extent with the true conception of what despair is, then Commits suicide -- that man has a more intense despair than the man who commits suicide without having the true conception that suicide is despair; but, conversely, the less true his conception of suicide is, the less intense his despair. On the other hand, the clearer consciousness of himself (self-consciousness) a man has in committing suicide, the more intense is his despair, in comparison with that of the man whose soul, compared with his, is in a confused and obscure condition. 53 In what follows I shall go on to examine the two forms of conscious despair, in such a way as to display at the same time a heightening of the consciousness of what despair is, and of the consciousness of the fact that one’s own condition is despair -- or, what is the same thing and the decisive thing, a heightening of the consciousness of the self. But the opposite of being in despair is believing; hence we may perceive the justification for what was stated above (I.A) as the formula which describes a condition in which no despair at all exists, for this same formula is also the formula for believing: by relating itself to its own self, and by willing to be itself, the self is grounded transparently in the Power which constituted it.