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My Inner Voices

Artifice Orisit

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What voices do you hear in your head?

The use of dialogue between fictional characters in one's mind is a surprisingly common means of extending one's POV. So who's up there giving you advice?
 

Ermine

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Me and me. I hear an audio version of me telling me stuff. She often switches roles. Sometimes she's the one reminding me of deadlines, sometimes telling me "that didn't go over well", "you're pathetic", "yay, you did it!". Essentially a clone reacting to my actions and thoughts and making sure I do everything I need to so everyone will get off my case and not suspect anything.
 

echoplex

Happen.
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Some guy who won't shut up and doesn't sleep, some bitchy bitch, some depraved pervert, a broken robot, and a tree who just wants to be hugged.

I told them they're not invited to the next party.
 

Da Blob

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Depends on what you define as voices... We share our brain with three other minds and it could be said that the reptile, the mammalian and the submissive hemisphere parts of the brain each have a Voice. (See Split Brain experiments...)

There is also the old book "I'm O. K. You're O. K."
that said everyone had six voices they entertained when thinking about self.

I think that with every Distinct and Sustainable POV, there is an accompanying Voice...
 

chocolate

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I get them on two different kinds of occasions.

It's like a different version of myself. I can have conversations with both the voices, usually one's in my head and one is out loud, sometimes they're both out loud.

Sometimes "i" question my voice, or the voice questions me. Sometimes the voice is just a criticizer and I have to tell it to shut up (I really am doing my best!), sometimes it's right though :(
 

Da Blob

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Well I was close. I had five.

*recruits sixth voice* Now let's pick a good one this time.

From WIKI: I'm Ok, You're OK

The Parent, Adult, Child (P-A-C) Model + negative, critical (P-A-C)
After setting out the context for his belief in the significance of TA, Harris sets out his picture of TA, starting point from the observation that a person’s psychological state seems to change in response to different situations. The question is, from what and to what does it change? Harris answers this through a simplified introduction to TA, explaining Berne’s proposal that there are three states into which a person can switch: the Parent, the Adult and the Child.

Harris describes the mental state called the Parent by analogy, as a collection of "tape recordings" of external influences that a child observed adults doing and saying. The recording is a long list of rules and admonitions about the way the world is that the child was expected to take on board unquestioningly. Many of these rules (for example: "Never run out in front of traffic") are useful and valid all through life; others ("Sex before marriage is bad", or "You can never trust a cop") are opinions that may be less helpful.

In parallel with those Parent recordings, the Child is a simultaneous recording of internal events – how life felt as a child. Harris equates these with the vivid recordings that Wilder Penfield was able to cause his patients to re-live by stimulating their brains. Harris proposes that, as adults, when we feel overwhelmed by feelings, it is as if we are re-living those Child memories yet the trigger for re-living them may no longer be relevant or helpful in our lives.

According to Harris, humans start developing a third mental state, the Adult, about the time children start to walk and begin to achieve some measure of control over the environment. Instead of taking in undigested ideas from parents into the Parent, or experiencing raw emotion as the Child, children begin to be able to explore and examine the world and form their own opinions.

They test the assertions of the Parent and Child and either update them or learn to suppress them. Thus the Adult inside us all grows over time, but it is very fragile and can readily be overwhelmed by stressful situations. Its strength is also tested through conflict between simplistic tape of the Parent and reality. Sometimes, Harris asserts, it is safer for a person to believe a lie than to acknowledge the evidence in front of them. This is called Contamination of the Adult.
 
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i just hear myself telling my body to move and my brain to opperate

and i criticise myself
 

Artifice Orisit

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I almost forgot the non-vocal inputs,
The creative subconscious provides input, but in the form of raw concepts.
The instinctive subconscious that provides some forms of cunning and intuition.
 

Da Blob

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I almost forgot the non-vocal inputs,
The creative subconscious provides input, but in the form of raw concepts.
The instinctive subconscious that provides some forms of cunning and intuition.

Let's not forget the DREAMS...!




Anyone can escape into sleep, we are all geniuses when we dream, the butcher's the poet's equal there. ~E.M. Cioran, The Tempation to Exist




Dreaming permits each and every one of us to be quietly and safely insane every night of our lives.



Dreams are answers to questions we haven't yet figured out how to ask. ~X-Files





That which the dream shows is the shadow of such wisdom as exists in man, even if during his waking state he may know nothing about it.... We do not know it because we are fooling away our time with outward and perishing things, and are asleep in regard to that which is real within ourself. ~Paracelsus, quoted in The Dream Game

 

Auburn

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For myself, I identify the voices(P.O.V.s) in my head as different cognitive processes. Each pitches in their P.O.V. and I (the entirety) make the final decision. For example:

Se: Hey! Look! We can ride on that!

Si: I'm not so sure that's a god idea. Remember what happened last time you did that?

Ne: But what if this time instead of riding on it standing up, we sit down?

Ni: I have a bad feeling about this. I can just see us all falling down and breaking something.

The three processes(voices) that I spend the most time in are Ti, Ne, Fe.
 
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Mine are:

Se: Kill him!

Si: Kill him as you did with the others.

Ne: Kill him with an octopus.

Ni: Kill him and do not be concerned with the consequences
 

FF

This ain't no disco.
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Pessimistic Me: You can't do it. Just give up. You've failed everything you've ever tried. You can't change yourself. It's easier to just give up.

Optimistic Me: SHUT THE FUCK UP!

Pessimistic Me: Alright..................
 

saffyangelis

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I don't have actual names for the voices in my head, I'd probably lose count.

What I have noticed though is that my voices help with the mirroring thing, with different ones taking over depending on who I talk to, and suggesting things to say, and critising each other.

I can also have little conversations with them, which is quite fun. I use each voice to look at the different sides of the argument.

(having just read all this, I think I sound slightly mad, but you all knew I'd lost it ages ago, right? =P)
 

tom

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I have three voices besides my own.

One is fucking psychopathic

One has no sense of self preservation and one is utterly detached and reserved
 

Artifice Orisit

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Pessimistic Me: You can't do it. Just give up. You've failed everything you've ever tried. You can't change yourself. It's easier to just give up.

This one went away after I become a Nihilist,
only to be replaced by a pair of philosophers who argue for/against anything.

Issues such as karaoke or hugging can make them argue for hours on end.

Some other characters:
Mad Scientist: "Any problem can be solved with the correct application of robotics"
Angsty Emo: "I hate you all" often used as a comedic butt monkey by the others
Hopeless Romantic: Just sits there humming pleasant music, others leave him alone
The Magician: Oddly this guy is way smarter than me, possibly my suppressed IQ
The "Sister": A female version of me, feminine side? Hates being ignored, but still is
Machiavelli: Amoral, ruthless, fearless, loves chess, competitive, complete asshole
The Jester: A highly creative, unconventional thinker, master of the absurd
The Sage: Somehow knows what is going to happen before it does, rarely speaks
 

QSR

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I always have an internal running dialog (it's verbal when I'm home alone, of course). It's me, though.. nobody else. A lot of times I'll imagine how a conversation would play out before I ever get involved in it...actually most of the time I don't even bother talking to the person I was imagining having the conversation with.
 

Fleur

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My inner voices don't have names.
Besides, in most cases they even don't need to talk, it would be more precise if I called them "the inner listeners" which are supposed to say something only when my ideas become too unsubstantial and stop me when I'm being unable to stay on my tracks, although I sometimes let them analyse my actions. Normally we have two stances towards each other - either neutral (they're listening to my ideas) or straight antagonism (they're opposing everything I tell them); compliance is almost a nonexistant option.
 

dwags222

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The use of dialogue between fictional characters in one's mind is a surprisingly common means of extending one's POV. So who's up there giving you advice?

my inner dialogue is rarely between fictional characters, but is more often me talking to either myself or someone i know. i often explain my thoughts to myself or to someone i know conversationally in my head. definitely a good way to expand your pov and to help see things from other peoples perspectives, which in turn helps you challenge your own perspectives. though of course it is important to try not to make incorrect assumptions about how a person really is based on your mental conception of them, and so i find i am constantly revamping my mental conception of others based on new experiences/info (this happens unconsciously/intuitively, not usually an active process).
 

sagewolf

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Far too many of them to count, but the stand out voices are my inner cynic, my inner idealist (they like to fight with each other), the eccentric artistic type-person, and the historian (who helps me out with tests). Generally, except for the first two, they get along.

There was a realistic me but I think it killed itself in despair over the insanity of the artistic part. Oh well. No big loss. Rarer ones, but still ones with a big impact on me, are the inner shiny-thing-and-animal-lover (stopped maturing at five years old and never noticed it) and the inner dissatisfied mutterer. That about covers the main players.
 

dwags222

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so basically the inner voice is you? :-P
 
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