The Grey Man
το φως εν τη σκοτια φαινει
I submit that if one reads between the lines, Kant's seminal work The Critique of Pure Reason is all about consciousness (perception) as a medium between sensation and thought.
By now, some of you are probably tired of hearing me talk about multiplicity and unity, but I must ask you to indulge my mania once more, and consider that Kant's extreme epistemic poles—nature and the unity of original apperception—are stand-ins for these very principles, the male and female principles, as it were. All objects of perception—rocks, plants, animals, men, machines, planets, suns, and galaxies alike—are actualized, inseminated with being, by subjective sensation, the Cartesian "I think." As Eckhart says, "all creatures are nothings."
Man is like Michelangelo's "prisoners," those captives of mere materiality who yearn for an Eden that is denied to them. He is Adam, at once a transcendental Platonic 'One' created in God's image and a 'Nous' dissipated in immanent multiplicity, in that tempting Eve that is the world. He is the hero of that matchless tragedy which we see unfolded, in one stroke, by the same artist on the ceiling of the Sistine Chapel. Time is the way from sensuality to thought, from eros to logos, and vice versa. It is as Heraclitus said: "The way up and the way down are one in the same."
I've been trying to wrap my head around Kant's theoretical philosophy for a while now. As I've said before, he was not a good writer, and he sometimes contradicted himself, so it is not always easy to discern his meaning—indeed, it is often virtually impossible to do so without the aid of secondary literature on the topic—yet I am quite confident in this interpretation of his epistemological doctrine. What think you?
By now, some of you are probably tired of hearing me talk about multiplicity and unity, but I must ask you to indulge my mania once more, and consider that Kant's extreme epistemic poles—nature and the unity of original apperception—are stand-ins for these very principles, the male and female principles, as it were. All objects of perception—rocks, plants, animals, men, machines, planets, suns, and galaxies alike—are actualized, inseminated with being, by subjective sensation, the Cartesian "I think." As Eckhart says, "all creatures are nothings."
Man is like Michelangelo's "prisoners," those captives of mere materiality who yearn for an Eden that is denied to them. He is Adam, at once a transcendental Platonic 'One' created in God's image and a 'Nous' dissipated in immanent multiplicity, in that tempting Eve that is the world. He is the hero of that matchless tragedy which we see unfolded, in one stroke, by the same artist on the ceiling of the Sistine Chapel. Time is the way from sensuality to thought, from eros to logos, and vice versa. It is as Heraclitus said: "The way up and the way down are one in the same."
I've been trying to wrap my head around Kant's theoretical philosophy for a while now. As I've said before, he was not a good writer, and he sometimes contradicted himself, so it is not always easy to discern his meaning—indeed, it is often virtually impossible to do so without the aid of secondary literature on the topic—yet I am quite confident in this interpretation of his epistemological doctrine. What think you?