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Ska's time 28th-April-2010, 03:31 PM #1 |
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Join Date: Apr 2010
Posts: 210
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You guys seen this? Pretty awesome job by these guys.
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Kokoro's time 28th-April-2010, 05:11 PM #2 |
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Member
Join Date: Sep 2009
Location: Somewhere
Posts: 181
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Bravo! I bet it would be better if I knew more than half of the songs, haha. Nice find.
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The Frood's time 28th-April-2010, 08:10 PM #3 |
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knows where his towel is
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RubberDucky451's time 29th-April-2010, 06:53 AM #4 |
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ಠ_ಠ
Join Date: May 2009
Location: California
Posts: 1,068
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Top of my head... First, Minor third, Fourth and Fifth?
Good stuff
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walfin's time 29th-April-2010, 07:55 PM #5 | |
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PeJi
Join Date: Mar 2008
Location: /dev/null
Posts: 1,821
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Quote:
![]() The current 4-6 chord style (minor 3rd & minor 2nd only rarely added in above the basic 4 chords) of contemporary music is (IMHO) far less rich than the chromatic style of jazz.
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jycegrcia's time 29th-April-2010, 12:57 PM #6 |
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Redshirt
Join Date: Apr 2010
Posts: 3
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Panchelbel is awesome and he is everywhere. I saw him playing and I think it's quite hard for me to play like this. I was wondering whether it is possible to change any songs with the same chord progression into the same key?
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kantor1003's time 3rd-May-2010, 11:13 PM #7 | |
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Senior Member
Join Date: Aug 2009
Location: Norway
Posts: 1,473
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Quote:
Listing the chords found within major: I major II minor III minor IV major V major VI minor VII diminished (half diminished if you include the 7th) So, constructing the chord progression in C major you would then play the C major (1, the tonic) G major (5, the dominant) A minor (6, the relative minor) and F major (4, the sub dominant). Moving it to another key, for example F major would then be F major, C major, D minor and Bb major.
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"When I composed that, I was conscious of being inspired by God Almighty. Do you think I can consider your puny little fiddle when He speaks to me?" Ludwig van Beethoven to a violinist who complained that a passage was unplayable |
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kantor1003's time 3rd-May-2010, 11:23 PM #8 | |
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Senior Member
Join Date: Aug 2009
Location: Norway
Posts: 1,473
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Quote:
But yeah, pop music rarely make use of the upper extensions (b9, 9, 11, #11, b13, 13).. amazing how much a good arrangement can make a simple 3 note chord sound like though. Romantic, baroque era classical (not too knowledgeable on the subject of classical music though, unfortunately) is often a good example of not too complicated, even "primitive" harmonies sounding like the most hip shit ever, because of brilliant arranging/orchestration.
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"When I composed that, I was conscious of being inspired by God Almighty. Do you think I can consider your puny little fiddle when He speaks to me?" Ludwig van Beethoven to a violinist who complained that a passage was unplayable |
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